Florian

bio

Florian Henckel von Donnersmarck was born in 1973. His late father was an executive with Lufthansa German Airlines, and his mother a literary scout for Oldenbourg Academic Publishers. Florian grew up in the US, Germany and Belgium. He lists as the strongest cultural influences of his childhood the Humanistic High Schools he attended in Berlin and Frankfurt, the idea of European integration he was exposed to in Brussels and the nights spent at the New York City Opera, Schauspiel Frankfurt, La Monnaie and other theatres. Upon finishing high school, Florian studied Russian Language and Literature in Saint Petersburg, graduating as a Soviet-certified Teacher of Russian as a Foreign Language. He went on to read Politics and Philosophy at Oxford.

In his final year at Oxford, Florian won an essay competition to become apprentice to director Richard Attenborough on the Hemingway film “In Love and War.” The experience of the apprenticeship convinced him to use his passion for literature, music and spectacle in the medium of cinema. So, from 1997 to 2001, Florian obtained a third degree, this time in filmmaking, from the University for Television and Film, Munich. During that time he won numerous festival awards for his short films, among them the Max Ophüls Prize.

While at film school, Florian wrote an outline, “Sonata for a Good Man”, which told of the relationship between a Stasi agent and the dramatist with whose surveillance he is charged. In this story, looking back at “the century of ideologies”, Florian explored the old aesthetic question of how to bridge the chasm between thinking and feeling. Florian felt this tale would allow him to tackle a subject matter that was personal and important to him, while trying to create on film the dramatic and psychological complexity he had often encountered in novels.

In 2002 Florian moved to East Berlin to research the historical aspects of this plot, and wrote a screenplay which he ended up calling “The Lives of Others”. He teamed up with producer duo Wiedemann & Berg, who were his friends from film school. With support from public broadcaster BR and international sales agent Jan Mojto, it became possible to shoot “The Lives of Others” in November and December of 2004. The shoot lasted 37 days. The finished film was released by Buena Vista in March of 2006. “The Lives of Others” went on to generate US$ 77 million at the worldwide box office, and to win the German and European Film Awards, the Los Angeles and the New York Critics’ Awards, the French Syndicate of Film Critics' Foreign Film Award, Italy’s David di Donatello, and in February 2007 the Academy Award® for Best Foreign Language Film. The string of wins continued until February 2008 when “The Lives of Others” received England’s BAFTA and France’s César.

After almost two years of presenting the film and writing and lecturing on cinema and aesthetics, Florian moved to Los Angeles to experience the center of the film world. In December of 2009, he began work on “The Tourist”, a light-hearted thriller set in Paris and Venice. In “The Tourist” Florian saw the opportunity to explore in a familiar European setting the very elements that European cinema is habitually denied: true Opulence of Décor, and the Mystique of the Movie Star. He aimed to create a film that would be gentle, humorous and unpretentious, and make for a soothing, almost contemplative experience of deceleration and elegance.

“The Tourist” was shot in 58 days from late February to early May 2010 and released by Columbia Pictures in early December of the same year. It generated US$ 278 million at the worldwide box office and was nominated for three Golden Globe Awards in the Best Picture, Best Actor and Best Actress: Comedy categories. It was nominated three times at the 37th People's Choice Awards (CBS), winning Favorite Movie Actor for Johnny Depp. It was nominated for three 2011 Teen Choice Awards (Fox) in the Best Picture, Best Actor and Best Actress: Action categories, winning the latter two for Johnny Depp and Angelina Jolie. It also won the Redbox Movie Award 2011 for Best Drama, making it the only film ever to be nominated for awards in Comedy, Action and Drama categories.

Florian is a member of the International Council at the Museum of Modern Art in New York, the French Ordre des Arts et des Lettres and the Bavarian and Northrhine-Westphalian Orders of Merit. In 2013 he was named a Young Global Leader by the World Economic Forum. 2015 saw the publication of “Kino!”, a book of Florian's writings on contemporary cinema.

photo photo photo photo

Photos

  • photo
  • photo
  • photo
  • photo
  • photo
  • photo
  • photo

Quotes

English

Deutsch

[People often ask me about my own experience of the GDR, which was very limited]. I sometimes wonder if, when they meet Ang Lee, who made Brokeback Mountain, they always ask, ‘Are you gay? Are you a cowboy?’ It would be very depressing if you could only make films about your own experience.

from: Lecture at Cambridge University,  10 October 2008

A serious film will acknowledge the darkness of mankind, but it will end on some kind of message of hope. It's very easy to write impressive dark stuff. The hard thing is to take the dark stuff and suggest a solution, even to hint at a solution.

from: Interview with Shawn Levy in The Oregonian, February 18, 2007

If writing and directing is really just about expressing myself, then critics shouldn't matter, then awards shouldn't matter, and awards for critics should matter even less. But I believe that any form of artistic expression is an attempt to connect. And I have a desperate desire to know that my feelings about mankind are the same as other people's, or - to stay with the color analogy- if my green is really your green. So I write this story about the color green, using all my senses, I describe it in words, in music, through costumes and light, and I find people crazy enough to give me millions of dollars to spend on that endeavor. I try to make it as personal as humanly possible, caring only about how I see green, ignoring the temptation to recycle descriptions of that color that have at some point found general acceptance. And then the film is released and I wait with great anxiety over what the reaction will be. Will they say: We’re not quite sure what color this guy is trying to describe? That would mean that either I am all alone with my view of the world, or I don’t have the skill correctly to express what I feel. Both pretty depressing outcomes. But when the review says: This is clearly green like it hasn’t been seen before, or at least hasn’t been seen in recent memory, then I am almost ecstatically happy, because for a moment it takes away the doubt and loneliness. 

from: Speech at the 32nd Los Angeles Film Critics Association Awards, 14 January 2007

You wouldn't believe the number of people who send me film ideas. But the truth is - every filmmaker or aspiring filmmaker has a chest full of good ideas in his study or attic. Sticking with the idea. That is the difficult part. Converting an idea into a finished screenplay. Living with the doubt. Living with the madness. 

from: Lecture at UCLA, 12 May 2009

When you have a seminal idea for a project, one that really moves you -and that idea can be as tiny as one image- what you are given is a tuning fork for the entire film. You now know what the film is supposed to sound like, what it's tonality is. As you're writing the screenplay, as you're directing the film, you always go back to that tuning fork, try and see if the lines, the actors, the costumes, the locations fit into the tone. Only you can really decide if they do, because only you have that tuning fork. 

from: Seminar at the WGA, 18 April 2012

The great thing about art is that - when done right- it can actually be truer than reality.The word for poetry and fiction in German —Dichtung— actually means density. It tells us that art is of the same texture as reality, but more dense. In fiction, there is more reality per cubic centimeter than with the looser and less dense facts.  

from: Lecture at MoMA, 10 November 2007

All men are born with an inner window through which they can perceive the mysterious simple beauties of the world. But as we grow older, this window becomes clouded with the dust of everyday life and occupations. The filthier this window becomes, the less we can see and the more we lose our human nature, becoming joyless automatons who have given up hope. It is the role of art to wipe this window clean again, and give us back our souls. Most works of art, like the little boys at red lights who for a small coin will wipe their dirty cloths over your windscreen, merely dab at the window, and leave us in a doubt whether it is actually cleaner afterwards that it was before. Some art is really anti-art, because it soils the window without even wanting to or pretending to be doing anything else. But then there is art which, as if it were using a divine detergent for that inner window, will suddenly have it sparkle and shine like the Hope Diamond. It gives you back your human nature and changes your life… to the better.

from: Why Film is my chosen medium - submission Richard Attenborough's essay competition at Oxford University, April 1996

English

Deutsch

Wenn ich Filme, die ich für bedeutend halte, vor meinem geistigen Auge Revue passieren lasse, etwa “Fanny und Alexander” (Ingmar Bergman), “Drei Farben: Rot” (Krzysztof Kieślowski), “Das Fest” (Thomas Vinterberg), “Amores Perros” (Alejandro González Iñárritu), “Lola rennt” (Tom Tykwer), “Ikiru” (Akira Kurosawa), “Belle de Jour” (Luis Buñuel), “Jerry Maguire” (Cameron Crowe), “Der talentierte Mr. Ripley” (Anthony Minghella), “Blue Velvet” (David Lynch) –, dann wird mir klar, dass sie vielleicht nur eine Sache gemeinsam haben: das enorme Risiko, das der Regisseur dabei trägt; die Möglichkeit, dass der Film auch hätte unendlich schlecht und peinlich werden können, wenn nur ein paar kleine Regie-Entscheidungen anders ausgefallen wären. (…) Sie fliegen so hoch, weil Flughöhe identisch ist mit Fallhöhe.

aus: Im Labyrinth des Minotaurus - Aufsatz in Kino! (Essay- und Redensammlung), Suhrkamp 2015

Für mich (…) ist die nächste, direkteste und ehrlichste Kunst die der Schauspielerei: Ohne den Umweg über Pin­sel, Meißel und Trompeten spricht hier ein Mensch in sei­ner leiblichen Reinform zum anderen.

aus: Scheinwerfer - Aufsatz im Philosophie Magazin März/April 2012

Ich finde, allzuoft verhalten sich Filmemacher oder generell Künstler ähnlich wie Politiker, als ob die Aussagen, die wir machen, bei allen Menschen ankommen müssten, damit wir uns sicher fühlen können. Es ist manchmal doch auch wichtig, zu provozieren oder ein Projekt anzugehen, das noch nicht bis ins letzte ausformuliert und durchdacht sein mag, bei dem man aber spürt, daß man es genau jetzt in die Welt bringen muß, und sei es nur, damit auch andere darüber nachdenken können. Das müssen wir uns erlauben können, es ist aber in einem Klima, in dem es nur um Geld geht, sehr schwierig. Deshalb ist unser Filmförderungssy­stem – früher habe ich da anders gedacht – der Kunst wirklich förderlich.

aus: Über das Deutsche im Filmemachen -Vortrag an der Nationalgalerie 25. November 2009

Natürlich orientiere ich mich eher an den Großen als am Mittelmaß. Ist es nicht sinnvoller, mit Schiller und Jesus fiktive Zwiesprache über Literatur und Moral zu halten, als mit Werner Bergengruen und Pfarrer Fliege? Aber Sie werden nirgends eine Äußerung von mir finden, in der ich mich mit irgendjemandem auf eine Stufe stelle. Das käme mir nie in den Sinn. Wo man selber steht und einzuordnen ist, weiß doch niemand, auch nicht die Journalisten. Und wer sich über so etwas Gedanken macht, der lebt ein sehr ungesundes, ich möchte sagen: sehr unkünstlerisches Leben.

aus: Interview mit Susanne Hermaski, Sueddeutsche Zeitung: Bayern, 29. Juni 2011

Discourse

Writings, lectures and speeches by Florian, as well as panels and in-depth discussion

Publication cover art thumbnail
Publication cover art
Kino!
  • Florian Henckel von Donnersmarck
  • Henckel von Donnersmarck, Florian. Kino!. Berlin: Suhrkamp, 2015. Print.
  • Schriften zum Gegenwartskino
  • Writings on Contemporary Cinema
2015
Publication cover art thumbnail
Publication cover art
Stanley Kubrick als Fotograf
  • Florian Henckel von Donnersmarck
  • Christiane Kubrick 
  • Kunstforum Wien
  • Palais Ferstel
  • Eröffnungsrede zu der Ausstellung “Eyes Wide Open: Stanley Kubrick als Fotograf”
  • Keynote at the opening of an exhibition on Stanley Kubrick's photographic work
7. Mai 2014
Publication cover art thumbnail
Publication cover art
David Hockney and Perspective
  • Florian Henckel Von Donnersmark
  • John Gaeta
  • Denis Muren
  • Lawrence Weschler
  • de Young Museum, San Francisco
  • Koret Auditorium
  • Panel discussion at Lawrence Weschler's Symposium “Wider Vantages Are Needed Now” held within “David Hockney: A Bigger Exhibition”
23 November 2013
Publication cover art thumbnail
Publication cover art
Hollywood and Silicon Valley Collide: Immersion, Interactivity and Narrative Expansion
  • Florian Henckel Von Donnersmark
  • Cornelia Funke
  • Geoffrey Long
  • Andrew Merkin
  • Scott Snibbe
  • LA Film Fest
  • Panel discussion
22 June 2013
Publication cover art thumbnail
Publication cover art
Im Labyrinth des Minotauros
  • Florian Henckel von Donnersmarck
  • Philosophie Magazin. Juni/Juli. Nr.04/2013.
2013
Publication cover art thumbnail
Publication cover art
Der Trailer als Vorurteil
  • Florian Henckel von Donnersmarck
  • Philosophie Magazin. April/Mai. Nr.03/2013. S.91
2013
Publication cover art thumbnail
Publication cover art
Name und Notwendigkeit
  • Florian Henckel von Donnersmarck
  • Philosophie Magazin. Februar/März. Nr. 02/2013. S.91
2013
Publication cover art thumbnail
Publication cover art
Das Ganze, jetzt!
  • Florian Henckel von Donnersmarck
  • Philosophie Magazin. Dezember/Januar Nr. 01/2013. S. 99
2013
Publication cover art thumbnail
Publication cover art
Der deutsche Dreh
  • Florian Henckel von Donnersmarck
  • Philosophie Magazin. Oktober/November. Nr. 06/2012. S. 91
2012
Publication cover art thumbnail
Publication cover art
Lügendetektor
  • Florian Henckel von Donnersmarck
  • Philosophie Magazin. Juli/August. Nr.05/2012. S. 90
2012
Publication cover art thumbnail
Publication cover art
Zauberhafte Zuckungen
  • Florian Henckel von Donnersmarck
  • Philosophie Magazin. Mai/Juni. Nr.04/2012. S. 90
2012
Publication cover art thumbnail
Publication cover art
Anatomy of a Script
  • Florian Henckel von Donnersmarck
  • Winnie Holzman
  • Robin Shiff
  • Writers Guild of America
  • Guest Seminar and discussion with Robin Schiff and Winnie Holzman
18 April 2012
Publication cover art thumbnail
Publication cover art
Scheinwerfer
  • Florian Henckel von Donnersmarck
  • Philosophie Magazin. März/April. Nr.03/2012. S. 90
2012
Publication cover art thumbnail
Publication cover art
Psychos
  • Florian Henckel von Donnersmarck
  • Philosophie Magazin. Februar/März. Nr.02/2012. S.90
2012
Publication cover art thumbnail
Publication cover art
Was sollte eine Filmschule leisten?
  • Florian Henckel von Donnersmarck
  • Ulrich Wilhelm
  • University of Television and Film Munich
  • Dialogue with Ulrich Wilhelm
6 July 2011
Publication cover art thumbnail
Publication cover art
Plädoyer für die Filmmusik
  • Florian Henckel von Donnersmarck
  • Bayerischer Rundfunk
  • filmtonart – Kongress für Filmmusik
  • Keynote for a conference on film music
29 June 2011
Publication cover art thumbnail
Thomas Demand’s “Pacific Sun”
  • Thomas Demand
  • Florian Henckel von Donnersmarck
  • Michael Fried
  • The Getty Research Institute
  • Harold M. Williams Auditorium, The Getty Center
  • Panel with Thomas Demand and Michael Fried
29 March 2011
Publication cover art thumbnail
Publication cover art
Psychoanalytiker der Oper
  • Florian Henckel von Donnersmarck
  • Cicero. Januar 2011.
2011
Publication cover art thumbnail
Publication cover art
Über das Deutsche im Filmemachen
  • Florian Henckel von Donnersmarck
  • in: Demand, Thomas und Kittelmann, Udo. Nationalgalerie, How German is it? Suhrkamp 2011. 208-224. Print.
2011
Publication cover art thumbnail
Publication cover art
Conversation with Charlie Rose about “The Tourist”
  • Florian Henckel von Donnersmarck
  • Charlie Rose
  • PBS
  • Charlie Rose
7 December 2010
Publication cover art thumbnail
Twenty Years Later
  • Florian Henckel von Donnersmarck
  • German Embassy, Washington, D.C.
  • Speech to commemorate the 20th anniversary of the Fall of the Berlin Wall
2 October 2009
Publication cover art thumbnail
Italian Art and Culture In My Life
  • Florian Henckel von Donnersmarck
  • Italian Consulate’s Festa della Repubblica Reception
  • UCLA Royce Hall
  • Acceptance speech for the Gold Medal of the Dante Alighieri Society
2 June 2009
Publication cover art thumbnail
UCLA Regent’s Lecture: Creativity
  • Florian Henckel von Donnersmarck
  • UCLA
  • Department of Germanic Languages
  • Royce Hall
  • UCLA Regents’ Lecture
12 May 2009
Publication cover art thumbnail
Publication cover art
Laurent Cantet’s “Entre les murs”
  • Florian Henckel von Donnersmarck
  • Academy of Motion Picture Arts and Sciences
  • Foreign Language Film Nominees Reception
  • Oscar Nomination Speech honoring Laurent Cantet and his film “Entre les murs”
20 February 2009
Publication cover art thumbnail
Publication cover art
Seeing a Film Before You Make It
  • Florian Henckel von Donnersmarck
  • Pembroke College, Cambridge University
  • Judge Business School
  • Inaugural Xchanging Lecture
10 October 2008
Publication cover art thumbnail
Publication cover art
Visualization
  • Florian Henckel von Donnersmarck
  • Entrepreneur des Jahres
  • Alte Oper, Frankfurt
  • Keynote honoring the German Entrepreneur of the Year
9 October 2008
Publication cover art thumbnail
Journeys of Change: The Filmmaker
  • Florian Henckel von Donnersmarck
  • World Economic Forum
  • Congress Centre Davos
24 January 2008
Publication cover art thumbnail
New York Film Critics Circle Award Acceptance Speech
  • Florian Henckel von Donnersmarck
  • Spotlight Live, New York
  • New York Film Critics Circle Association
  • Accepting the Award for Best Foreign Language Film
6 January 2008
Publication cover art thumbnail
Aesthetic Concepts behind “The Lives of Others”
  • Florian Henckel von Donnersmarck
  • MoMA
  • The International Council of the Museum of Modern Art, New York
  • Keynote
10 November 2007
Publication cover art thumbnail
Publication cover art
Screening Berlin: Filmmakers’ Views of the City
  • Michael Barker
  • David Denby
  • Florian Henckel von Donnersmarck
  • Volker Schlöndorff
  • Berlin in Lights Festival
  • Carnegie Hall, New York
  • Weill Recital Hall
  • Panel discussion on Berlin in Films
3 November 2007
Publication cover art thumbnail
Publication cover art
Filmabend in Wolfsberg
  • Florian Henckel von Donnersmarck
  • Hubert Patterer
  • Maximilian Schell
  • Gerhard Seifried
  • Rathaus Wolfsberg
  • Panel discussion with Maximilian Schell, Hubert Patterer and Gerhard Seifried
25 October 2007
Publication cover art thumbnail
Publication cover art
Der Kampf um “Das Leben der Anderen”
  • Florian Henckel von Donnersmarck
  • BDI – Federation of German Industries
  • Keynote at Annual Summit
22 October 2007
Publication cover art thumbnail
Publication cover art
Der neue Superhit Superbad
  • Florian Henckel von Donnersmarck
  • Cicero
  • October 2007 s.153
October 2007
Publication cover art thumbnail
Publication cover art
Varieté
  • Florian Henckel von Donnersmarck
  • Cicero
  • September 2007 s.141
September 2007
Publication cover art thumbnail
Statt eines Nachrufs: Ulrich Mühes letztes Jahr
  • Florian Henckel von Donnersmarck
  • Frankfurter Allgemeine Zeitung, 11.08.2007, Nr. 185, S.31. Print.
11 August 2007
Publication cover art thumbnail
Publication cover art
Filme mit Rythmus
  • Florian Henckel von Donnersmarck
  • Cicero
  • August 2007 s.123
August 2007
Publication cover art thumbnail
Stauffenberg Aufsatz
  • Florian Henckel von Donnersmarck
  • Frankfurter Allgemeine Zeitung. 03.07.2007, Nr. 151, S. 33. Print.
3 July 2007
Publication cover art thumbnail
Publication cover art
Und täglich grüsst das Murmeltier
  • Florian Henckel von Donnersmarck
  • Cicero
  • Juli 2007 s.139
July 2007
Publication cover art thumbnail
Publication cover art
Pate III
  • Florian Henckel von Donnersmarck
  • Cicero
  • Juni 2007 s.141
June 2007
Publication cover art thumbnail
Publication cover art
Der Talentiere Mr. Ripley
  • Florian Henckel von Donnersmarck
  • Cicero.
  • Mai 2007 s.141
May 2007
Publication cover art thumbnail
Designing and Making “The Lives of Others”
  • Florian Henckel von Donnersmarck
  • PromaxBDA Conference
  • Berlin Intercontinental
  • Keynote at conference for entertainment marketing professionals
23 April 2007
Publication cover art thumbnail
Publication cover art
Danksagung an Mitstreiter
  • President Horst Köhler
  • Florian Henckel von Donnersmarck
  • Ulrich Mühe
  • Bellevue Castle/
  • Schloss Bellevue
  • German President’s reception for the cast and crew of “The Lives of Others”
2 March 2007
Publication cover art thumbnail
Publication cover art
Danksagung an Mitstreiter
  • Minister-President Edmund Stoiber
  • Florian Henckel von Donnersmarck
  • Bayerische Staatskanzlei
  • Speech on the occasion of the Bavarian Minister-President’s reception
1 March 2007
Publication cover art thumbnail
Publication cover art
  • Florian Henckel von Donnersmarck
  • Academy of Motion Picture Arts and Sciences
  • Kodak Theatre
25 February 2007
Publication cover art thumbnail
Publication cover art
Conversation with Charlie Rose about “The Lives of Others”
  • Florian Henckel von Donnersmarck
  • Charlie Rose
  • PBS
  • Charlie Rose
9 February 2007
Publication cover art thumbnail
Verdrängt – verklärt – vergessen. Wie errinern wir die DDR?
  • Kerstin Decker
  • Florian Henckel von Donnersmarck
  • Peter Ensikat
  • Joachim Gauck
  • Michael Naumann
  • RBB Rundfunk Berlin-Brandenburg
  • “Im Palais”
  • Political talk show
13 October 2006
Publication cover art thumbnail
Publication cover art
Die Entstehung von “Das Leben der Anderen” und meine Beziehung zu Wolfsberg und Kärnten
  • Dr. Siegfried Schüßler
  • Andreas Henckel von Donnersmarck
  • Florian Henckel von Donnersmarck
  • Kino Schüßler, Wolfsberg
12 October 2006
Publication cover art thumbnail
Publication cover art
Die kreative Freiheit des Regisseurs ist heillig
  • Florian Henckel von Donnersmarck
  • Bauhaus Universität, Weimar
  • Vorlesung im Rahmen der Reihe “Guru Talk”
20 July 2006

Literature

In-depth analysis of Florian's work by writers and academics (no reviews)

Publication cover art thumbnail
Publication cover art
Audiodeskription als partielle Translation: Modell und Methode
Bernd Benecke
Benecke, Bernd. Audiodeskription als partielle Translation: Modell und Methode. Berlin: Lit Verlag 2014. Print.
2014
Publication cover art thumbnail
“Immerhin Brecht”: Literacy and Theatricality in “Das Leben der Anderen”
Martina Kolb
Kolb, Martina. “'Immerhin Brecht': Literacy and Theatricality in 'Das Leben der Anderen'.” Oxford German Studies 43:3 (2014): 314-333.
2014
Publication cover art thumbnail
Publication cover art
Totalitarianism on Screen: The Art and Politics of “The Lives of Others”
Carl Eric Scott and F. Flagg Taylor IV
Carl Eric Scott, F. Flagg Taylor IV (Eds.). Totalitarianism on Screen: The Art and Politics of “The Lives of Others”. Lexington: The UP of Kentucky, 2014. Print.
2014
Publication cover art thumbnail
Publication cover art
The Aesthetics of Antifascist Film: Radical Projection.
Jennifer Lynde Barker
Lynde Barker, Jennifer. The Aesthetics of Antifascist Film: Radical Projection. New York: Routledge, 2013. Print.
2013
Publication cover art thumbnail
Publication cover art
Conspiracy, Security, and Human Care in Donnersmarck’s “Leben derÅ Anderen”
John T. Hamilton
Hamilton, John T. “Conspiracy, Security, and Human Care in Donnersmarck’s 'Leben der Anderen'.” Historical Social Research 38.1 (2013): 129-141. Print.
2013
Publication cover art thumbnail
Publication cover art
Depictions of European Communism in Movies
Jim Willis
Willis, Jim. “Depictions of European Communism in Movies.” Daily Life behind the Iron Curtain. Santa Barbara: Greenwood, 2013. 129-150.
2013
Publication cover art thumbnail
Publication cover art
Ethics, the Diachronization of Narratology, and the Margins of Unreliable Narration
J. Alexander Bareis
Bareis, J. Alexander. “Ethics, the Diachronization of Narratology, and the Margins of Unreliable Narration.” Narrative Ethics. Eds. Jakob Lothe and Jeremy Hawthorn. Amsterdam: Rodopi, 2013. 41-55. Print.
2013
Publication cover art thumbnail
Publication cover art
The Lives of Others and Contemporary German Film: A Companion
Paul Cooke
Cooke, Paul. The Lives of Others and Contemporary German Film: A Companion. Berlin: De Gruyter, 2013. Print.
2013
Publication cover art thumbnail
Publication cover art
Memory on Film: Testimony and Constructions of Authenticity in Documentaries about the German Democratic Republic
Sara Jones
Jones, Sara. “Memory on Film: Testimony and Constructions of Authenticity in Documentaries about the German Democratic Republic.” European Journal of Cultural Studies. 16.2 (2013): 194-210. Print.
2013
Publication cover art thumbnail
Publication cover art
Florian von Donnersmarck
James W. Hamilton
Hamilton, James W. “Florian von Donnersmarck.” A Psychoanalytic Approach to Visual Artists. London: Karnac Books, 2012. 187-192. Print.
2012
Publication cover art thumbnail
Publication cover art
Mark-Oliver Carl
Carl, Mark-Oliver. “Die DDR im DaF-Unterricht kennen lernen -– durch DDR-Filme oder Filme über die DDR? Was uns die Rolle kultureller Modelle für das Filmverstehen über die Potenziale und Schwierigkeiten beider Ansätze verrät.” Zeitschrift für Interkulturellen Fremdsprachenunterricht 17:2 (2012), 7-18. Print.
2012
Publication cover art thumbnail
Publication cover art
From Brigitte Bardot to Angelina Jolie
Michele Emmer
Emmer, Michele. “From Brigitte Bardot to Angelina Jolie.” Imagine Math. Ed. Michele Emmer. Heidelberg: Springer, 2012. 259-264. Print.
2012
Publication cover art thumbnail
Publication cover art
The Lives of Others: East German State Security Service's Archival Legacy
Karsten Jedlitschka
Jedlitschka, Karsten. “The Lives of Others: East German State Security Service's Archival Legacy.” American Archivist 75.1 (2012): 81-108. Print.
2012
Publication cover art thumbnail
Publication cover art
Literary Discourse and Cinematic Narrative: Scripting Affect in “Das Leben der Anderen”
Roger Cook
Cook, Roger. “Literary Discourse and Cinematic Narrative: Scripting Affect in 'Das Leben der Anderen'.” Cinema and Social Change in Germany and Austria. Eds. Gabriele Mueller and James M. Skidmore. Cinema and Social Change in Germany and Austria. Waterloo: Wilfrid Laurier UP, 2012. 79-95. Print.
2012
Publication cover art thumbnail
Publication cover art
The Love-Lives of Others: Reconstructing German National Identity in Postwar and Post-Unification Cinema
Seán Allan
Allan, Seán. “The Love-Lives of Others: Reconstructing German National Identity in Postwar and Post-Unification Cinema.” Europe and Love in Cinema. Eds. Luisa Passerini Jo Labanyi and Karen Diehl. Bristol: Intellect, 2012. 155-170. Print.
2012
Publication cover art thumbnail
Publication cover art
Post-Wall German Cinema and National History: Utopianism and Dissent.
Mary-Elizabeth O'Brien
O'Brien, Mary-Elizabeth. Post-Wall German Cinema and National History: Utopianism and Dissent. Rochester: Camden House, 2012. Print.
2012
Publication cover art thumbnail
Publication cover art
Communist Moral Corruption and the Redemptive Power of Art in “The Lives of Others”
Carl Eric Scott
Scott, Carl Eric. “Communist Moral Corruption and the Redemptive Power of Art in 'The Lives of Others'.” Perspectives on Political Science 40.2 (2011): 78-86. Print.
2011
Publication cover art thumbnail
Publication cover art
Am Ohr der Staatsmacht. über das (Ab-)Hören in Florian Henckel von Donnersmarcks “Das Leben der Anderen” und Erich Loests Stasi-Dokumentationen
Jörg Wesche
Wesche, Jörg. “Am Ohr der Staatsmacht. über das (Ab-)Hören in Florian Henckel von Donnersmarcks 'Das Leben der Anderen' und Erich Loests Stasi-Dokumentationen.” Geschichte, die noch qualmt. Erich Loest und sein Werk. Ed. Carsten Gansel. Göttingen: Steidl 2011. 245-256. Print.
2011
Publication cover art thumbnail
Publication cover art
European Cinema and Intertextuality: History, Memory and Politics.
Ewa Mazierska
Mazierska, Ewa. European Cinema and Intertextuality: History, Memory and Politics. London: Palgrave MacMillan, 2011. Print.
2011
Publication cover art thumbnail
Publication cover art
Florian Henckel von Donnersmarck, Das Leben der anderen
Jörn Brüggemann
Brüggemann, Jörn. Florian Henckel von Donnersmarck, Das Leben der anderen. Informationen für Lehrerinnen und Lehrer. Braunschweig: Schroedel, 2011. Print.
2011
Publication cover art thumbnail
Publication cover art
Florian Henckel von Donnersmarck, Das Leben der anderen
Jörn Brüggemann
Brüggemann, Jörn. Florian Henckel von Donnersmarck, Das Leben der anderen. Materialien und Arbeitsanregungen. Braunschweig: Schroedel, 2011. Print.
2011
Publication cover art thumbnail
Publication cover art
Henkel von Donnersmarck: Bankiers, Industrielle, Oscar-Preisträger
Ella-Luise von Welfesholz
Welfesholz, Ella Luise von. Henkel von Donnersmarck: Bankiers, Industrielle, Oscar-Preisträger. Saarbrücken: Doyen Verlag, 2011. Print.
2011
Publication cover art thumbnail
Inverting the Lives of 'Others': Retelling the Nazi Past.
Ute Wölfel
Wölfel, Ute. “Inverting the Lives of 'Others': Retelling the Nazi Past.” German Life and Letters 64.4 (2011): 601-618. Print.
2011
Publication cover art thumbnail
Publication cover art
On Captivation: A Remainder from the “Indistinction of Art and Nonart”
Rey Chow and Julian Rohrhuber
Chow, Rey and Julian Rohrhuber. “On Captivation: A Remainder from the 'Indistinction of Art and Nonart'.” Reading Rancière. Eds. Paul Bowman and Richard Stamp. London: Continuum, 2011. 42-77. Print.
2011
Publication cover art thumbnail
Publication cover art
Post-Totalitarianism in “The Lives of Others”
Flagg Taylor
Taylor, Flagg. “Post-Totalitarianism in 'The Lives of Others'.” Perspectives on Political Science 40.2 (2011): 61-67. Print.
2011
Publication cover art thumbnail
Publication cover art
Spielfilme sind kein Museum für Zeitgeschichte – das Fiktionale hat Priorität: DDR im Spielfilm
Waltraud Wende
Wende, Waltraud. “Spielfilme sind kein Museum für Zeitgeschichte – das Fiktionale hat Priorität: DDR im Spielfilm.” Filme, die Geschichte(n) erzählen: Filmanalyse als Medienkulturanalyse. Würzburg: Königshausen & Neumann 2011. Print. 140-173.
2011
Publication cover art thumbnail
Publication cover art
Screening the Stasi: The Politics of Representation in Postunification Film
Nick Hodgin
Hodgin, Nick. “Screening the Stasi: The Politics of Representation in Postunification Film.” The GDR Remembered: Representations of the East German State since 1989. Eds. Nick Hodgin and Caroline Pearce. Rochester: Camden House, 2011. 69-94. Print.
2011
Publication cover art thumbnail
Publication cover art
“The Slovenian way of “The Lives of Others”
Andreja Valic Zver
Zver, Andreja Valic. “The Slovenian way of 'The Lives of Others'.” Südosteuropa Mitteilungen 51.5-6 (2011): 101 - 109. Print.
2011
Publication cover art thumbnail
Through the Looking Lens: Modernity and Identity in German, Spanish and Mexican Film
Natasha S. Godwin
Godwin, Natasha S. “Through the Looking Lens: Modernity and Identity in German, Spanish and Mexican Film.” National Social Science Journal 35.2 (2011): 156-161. Print.
2011
Publication cover art thumbnail
Publication cover art
The Tourist
Kieron Corless
Corless, Kieron. “The Tourist.” Sight and Sound 21.2 (2011): 76-77. Print.
2011
Publication cover art thumbnail
Publication cover art
The Tourist by Florian Henckel von Donnersmarck, Christopher McQuarrie, and Julian Fellowes
Mary W. Gray
Gray, Mary W. “The Tourist by Florian Henckel von Donnersmarck, Christopher McQuarrie, and Julian Fellowes.” Mathematical Intelligencer 33.4. (2011): 54-56. Print.
2011
Publication cover art thumbnail
“La vie des autres” ou “S'apparaître à l'occasion d'un... amour”.
Roselyne Letort and Armelle Chotard-Fresnais
Letort, Roselyne, and Armelle Chotard-Fresnais. “La vie des autres” ou “S'apparaître à l'occasion d'un... amour.” Cahiers de Gestalt-thérapie 1 (2011): 179-190. Print.
2011
Publication cover art thumbnail
Publication cover art
Watching the Stasi: Authencity, Ostalgie and History in Florian Henckel von Donnersmarck's “The Lives of Others” (2006)
David Clarke
Clarke, David. “Watching the Stasi: Authencity, Ostalgie and History in Florian Henckel von Donnersmarck's 'The Lives of Others' (2006).” New directions in German cinema. Eds. Paul Cooke and Chris Homewood. New York: I.B. Tauris, 2011. 111-127. Print.
2011
Publication cover art thumbnail
Publication cover art
Taking a Walk in the Soviet Past. An Analysis of Representations of the Soviet Past in the Films The Lives of Others and The Shoe
Marija Weste
Weste, Marija. “Taking a Walk in the Soviet Past. An Analysis of Representations of the Soviet Past in the Films The Lives of Others and The Shoe.” Acta Academiae Artium Vilnensis 56 (March 2010): 77.
2010
Publication cover art thumbnail
Publication cover art
Marina Pinheiro and Selma Leitão
Pinheiro, Marina and Selma Leitão. “Bakhtin e a 'vida dos outros'.” Revista Mal-estar e Subjetividade 10.1 (2010): 87-111. Print.
2010
Publication cover art thumbnail
Coming to terms through Cinema: The “Lives of Others” in Germany's Landscape of Memory.
Jason James
James, Jason. “Coming to terms through Cinema: The 'Lives of Others' in Germany's Landscape of Memory.” Journal of the Society for the Anthropology of Europe 10.2 (2010): 29-40. Print.
2010
Publication cover art thumbnail
Publication cover art
EinFach Deutsch Unterrichtsmodelle. Das Leben der Anderen. Filmanalyse: Gymnasiale Oberstufe.
Christine Mersiowsky
Mersiowsky, Christine. EinFach Deutsch Unterrichtsmodelle. Das Leben der Anderen. Filmanalyse: Gymnasiale Oberstufe. Paderborn: Schöningh Verlag, 2010. Print.
2010
Publication cover art thumbnail
Publication cover art
German Historical Film as Production Trend: European Heritage Cinema and Melodrama in “The Lives of Others”
Jaimey Fisher
Fisher, Jaimey. “German Historical Film as Production Trend: European Heritage Cinema and Melodrama in 'The Lives of Others'.” The Collapse of the Conventional German Film and its Politics at the Turn of the Twentyfirst Century. Eds. Jaimey Fisher and Brad Prager. Detroit: Wayne State Univ. Press 2010. 186-215.Fisher, Jaimey.
2010
Publication cover art thumbnail
Good Bye Lenin, Hello Movie Industry! Eine Unterrichtseinheit zur DDR.
Alexandra Mittler
Mittler, Alexandra. “Good Bye Lenin, Hello Movie Industry! Eine Unterrichtseinheit zur DDR.” Die Unterrichtspraxis/Teaching German 43.1 (2010): 41-48. Print.
2010
Publication cover art thumbnail
Publication cover art
Learning from History in “The Lives of Others”: An Interview with Writer/Director Florian Henckel von Donnersmarck
Diane Carson
Carson, Diane. “Learning from History in The 'Lives of Others': An Interview with Writer/Director Florian Henckel von Donnersmarck.” Journal of Film and Video 62.1-2 (2010): 13-22. Print.
2010
Publication cover art thumbnail
Publication cover art
Bernd Klose
Klose, Bernd. “Das Leben der Anderen.” Agora. Düsseldorfer Beiträge zu Psychoanalyse und Gesellschaft 16.19 (2009-10): 55-59. Web. 10 April 2013.
2010
Publication cover art thumbnail
Publication cover art
“Das Leben der anderen” (2006) or the Power of Art
Stephen Brockmann
Brockmann, Stephen. “Das Leben der anderen (2006) or the Power of Art”. Ed. Stephen Brockmann. A Critical History of German film. Rochester: Camden House, 2010. 489-500. Print.
2010
Publication cover art thumbnail
Publication cover art
Das Leben neben dem anderen. Wie der Schauspieler Ulrich Mühe selbst im tiefen Westen den Osten nicht hinter sich lassen konnte.
Alexander Osang
Osang, Alexander. “Das Leben neben dem anderen. Wie der Schauspieler Ulrich Mühe selbst im tiefen Westen den Osten nicht hinter sich lassen konnte.” Im nächsten Leben: Reportagen und Porträts. Berlin: Ch. Links Verlag, 2010. 20-32. Print.
2010
Publication cover art thumbnail
La Pensée de Camus portée au cinéma
Sophie Bastien
Bastien, Sophie. “La Pensée de Camus portée au cinéma.” Etudes Camusiennes 9 (2010): 124-136. Print.
2010
Publication cover art thumbnail
Sichtbar-unsichtbar: “Das Leben der Anderen” (2006) durch die Brille von Überwacher und Publikum
Roswitha Skare
Skare, Roswitha. “Sichtbar-unsichtbar: 'Das Leben der Anderen' (2006) durch die Brille von Überwacher und Publikum.” Cahiers d'Etudes Germaniques 58 (2010): 137-155. Print.
2010
Publication cover art thumbnail
Publication cover art
Die Stasi im Kino der Gefühle. Das Leben der Anderen (2005/2006) – Filmische Erinnerungsstrategien im Kontext der Medienkultur
Claudia Lenssen
Lenssen, Claudia. “Die Stasi im Kino der Gefühle. Das Leben der Anderen (2005/2006) – Filmische Erinnerungsstrategien im Kontext der Medienkultur.” Das “Prinzip Erinnerung” in der deutschsprachigen Gegenwartsliteratur nach 1989. Eds. Carsten Gansel and Pawel Zimniak. Göttingen: V&R unipress. 281-288. Print.
2010
Publication cover art thumbnail
Surveillance and Redemption in “The Lives of Others”.
Kate Harper
Harper, Kate. “Surveillance and Redemption in 'The Lives of Others'.” Screen Education 59 (2010): 111-116. Print.
2010
Publication cover art thumbnail
Publication cover art
Texte.Medien: Florian Henckel von Donnersmarck: Das Leben der anderen: Materialien und Arbeitsanregungen
Peter Bekes and Volker Fredeking
Bekes, Peter and Volker Fredeking, eds. Texte.Medien: Florian Henckel von Donnersmarck: Das Leben der anderen: Materialien und Arbeitsanregungen. Braunschweig: Schroedel Verlag, 2010. Print.
2010
Publication cover art thumbnail
Publication cover art
Lars-Olav Beier
Beier, Lars-Olav. “Unter Genieverdacht.” Der Spiegel 49 (2010): 140-46. Print.
2010
Publication cover art thumbnail
Publication cover art
La Vie des Autres: Un Hommage à l'art
Sophie Bastien
Bastien, Sophie. “La Vie des Autres: Un Hommage à l'art.” Canadian Journal of Film Studies 19.2 (2010): 128. Print.
2010
Publication cover art thumbnail
Publication cover art
A Few Good Men: Gender, Ideology, and Narrative Politics in “The Lives of Others” and “Good Bye, Lenin!”
Jennifer Creech
Creech, Jennifer. “A Few Good Men: Gender, Ideology, and Narrative Politics in 'The Lives of Others' and 'Good Bye, Lenin!'.” Women in German Yearbook 25 (2009): 100-126. Print.
2009
Publication cover art thumbnail
Publication cover art
Between Authors and Agents: Gender and Affirmative Culture in “Das Leben der Anderen”
Gary Schmidt
Schmidt, Gary. “Between Authors and Agents: Gender and Affirmative Culture in 'Das Leben der Anderen'.” The German Quarterly 82.2 (2009): 231-249. Print.
2009
Publication cover art thumbnail
Publication cover art
Information, Secrets and Enigmas: An Enfolding-Unfolding Aesthetics for Cinema
Laura U. Marks
Marks, Laura U. “Information, Secrets and Enigmas: An Enfolding-Unfolding Aesthetics for Cinema.” Screen 50.1 (2009): 86-98. Print.
2009
Publication cover art thumbnail
Publication cover art
The Lives of Neighbors: Modes of Surveillance and Voyeurism in “Die Mörder sind unter uns”
Robert Schechtmann
Schechtmann, Robert. “The Lives of Neighbors: Modes of Surveillance and Voyeurism in 'Die Mörder sind unter uns'.” German Studies Review 32.1 (2009): 107-128. Print.
2009
Publication cover art thumbnail
Publication cover art
“The Lives of Others”: Living Under East Germany's “Big Brother” or the Quest for Good Men (“Das Leben der Anderen”)
Susanne Schmeidl
Schmeidl, Susanne. “'The Lives of Others': Living Under East Germany's 'Big Brother' or the Quest for Good Men ('Das Leben der Anderen').” Human Rights Quarterly 31.2. (2009): 557-561. Print.
2009
Publication cover art thumbnail
Publication cover art
The Object of Listening
John Tebbutt
Tebbutt, John. “The Object of Listening.” Continuum: Journal of Media & Cultural Studies 23.4 (2009): 549-559. Print.
2009
Publication cover art thumbnail
Publication cover art
Ostalgie sans regret
Marina Chauliac
Chauliac, Marina. “Ostalgie sans regret.” Europa mon amour: 1989-2009: un rêve blessé. Eds. Jean-François Gossiaux and Boris Petric. Paris: Autrement Frontières, 2009. 23-37. Print.
2009
Publication cover art thumbnail
Publication cover art
Public Administration and “The Lives of Others”: Toward an Ethics of Collaboration
Thomas J. Catlaw and Gregory M. Jordan
Catlaw, Thomas J., and Gregory M. Jordan. “Public Administration and 'The Lives of Others': Toward an Ethics of Collaboration.” Administration & Society 41.3 (2009): 290-312. Print.
2009
Publication cover art thumbnail
Publication cover art
Remembering the Stasi in a Fairy Tale of Redemption: Florian Henckel von Donnersmarck's “Das Leben der Anderen”
Daniela Berghahn
Berghahn, Daniela. “Remembering the Stasi in a Fairy Tale of Redemption: Florian Henckel von Donnersmarck's 'Das Leben der Anderen'.” Oxford German Studies 38.3 (2009): 321-333. Print.
2009
Publication cover art thumbnail
Publication cover art
Choice and Totalitarianism in the Lives of Others
Rjurik Davidson
Davidson, Rjurik. “Choice and Totalitarianism in the Lives of Others.” Screen Education 51 (2008): 131-137. Print.
2008
Publication cover art thumbnail
Publication cover art
Das Drehbuch – ein Drama für die Leinwand? Drehbuchanalyse am Beispiel von Florian Henckel von Donnersmarcks “Das Leben der anderen”
Daniela Nagel
Nagel, Daniela. Das Drehbuch – ein Drama für die Leinwand? Drehbuchanalyse am Beispiel von Florian Henckel von Donnersmarcks “Das Leben der anderen”. Marburg: Tectum Verlag, 2008.
2008
Publication cover art thumbnail
Publication cover art
Empathy and Identification in Von Donnersmarck's “The Lives of Others”
Diana Diamond
Diamond, Diana. “Empathy and Identification in Von Donnersmarck's 'The Lives of Others'.” Journal of the American Psychoanalytic Association 56.3 (2008): 811-832. Print.
2008
Publication cover art thumbnail
Publication cover art
Fiktion oder erlebte Geschichte? Zur Frage der Glaubwürdigkeit des Films “Das Leben der Anderen”
Manfred Wilke
Wilke, Manfred. “Fiktion oder erlebte Geschichte? Zur Frage der Glaubwürdigkeit des Films 'Das Leben der Anderen'.” German Studies Review 31.3 (2008): 589-598. Print.
2008
Publication cover art thumbnail
Publication cover art
Jay Nordlinger
Nordlinger, Jay. “Florian's World.” National Review 60.6 (Apr. 2008): 41-43. Print.
2008
Publication cover art thumbnail
Publication cover art
Der horchende Blick. Donnersmarcks “Das Leben der Anderen”
Alke Vierck
Vierck, Alke. “Der horchende Blick. Donnersmarcks 'Das Leben der Anderen'.” NachBilder der Wende. Eds. Inge Stephan and Alexandra Tacke. Köln: Böhlau Verlag, 2008. 214-236. Print.
2008
Publication cover art thumbnail
Publication cover art
The Humanization of the Stasi in “Das Leben der Anderen”
Cheryl Dueck
Dueck, Cheryl. “The Humanization of the Stasi in 'Das Leben der Anderen'.” German Studies Review 31.3 (2008): 599-609. Print.
2008
Publication cover art thumbnail
Publication cover art
“Das Leben der Anderen” oder die 'richtige' Erinnerung an die DDR
Lu Seegers
Seegers, Lu. “'Das Leben der Anderen' oder die 'richtige' Erinnerung an die DDR.” Film und kulturelle Erinnerung. Plurimediale Konstellationen. Eds. Astrid Erll and Stephanie Wodianka. Berlin: De Gruyter, 2008. 21-52. Print.
2008
Publication cover art thumbnail
Publication cover art
Media of Conspiracy: Love and Surveillance in Fritz Lang and Florian Henckel von Donnersmarck
Eva Horn
Horn, Eva. “Media of Conspiracy: Love and Surveillance in Fritz Lang and Florian Henckel von Donnersmarck.” New German Critique 35.1 103 (2008): 127-144. Print.
2008
Publication cover art thumbnail
Publication cover art
Rückblicke auf die DDR im Film zwischen Erinnerungs- und Rekonstruktionsmodus. Florian Henckel von Donnersmarcks Das Leben der Anderen in der Oberstufe
Dieter Wrobel
Wrobel, Dieter. “Rückblicke auf die DDR im Film zwischen Erinnerungs- und Rekonstruktionsmodus. Florian Henckel von Donnersmarcks Das Leben der Anderen in der Oberstufe.” Literatur zur Wende. Grundlagen und Unterrichtsmodelle für den Deutschunterricht der
2008
Publication cover art thumbnail
Publication cover art
Simple Storys? Konstruierte Erinnerung an Leben in der DDR
Anthonya Visser
Visser, Anthonya. “Simple Storys? Konstruierte Erinnerung an Leben in der DDR.” Gedächtnis und Identität. Die deutsche Literatur nach der Vereinigung. Ed. Fabrizio Cambi. Würzburg: Königshausen & Neumann, 2008. 69-84. Print.
2008
Publication cover art thumbnail
Publication cover art
The Spy as Writer: Florian Henckel von Donnersmarck's “Das Leben der Anderen”
Mareike Herrmann
Herrmann, Mareike. “The Spy as Writer: Florian Henckel von Donnersmarck's 'Das Leben der Anderen'.” Gegenwartsliteratur 7 (2008): 90-113. Print.
2008
Publication cover art thumbnail
Publication cover art
Stasi goes Hollywood: Donnersmarcks “The Lives of Others” und die Grenzen der Authentizität
Jens Gieseke
Gieseke, Jens. “Stasi goes Hollywood: Donnersmarcks 'The Lives of Others' und die Grenzen der Authentizität.” German Studies Review 31.3 (2008): 580–588. Print.
2008
Publication cover art thumbnail
Publication cover art
Stasiploitation – Why Not? The Scriptwriter's Historical Creativity in “The Lives of Others”
Thomas Lindenberger
Lindenberger, Thomas. “Stasiploitation – Why Not? The Scriptwriter's Historical Creativity in 'The Lives of Others'.” German Studies Review 31.3 (2008): 557–566. Print.
2008
Publication cover art thumbnail
Publication cover art
Stasi with a human face? Ambiguity in “Das Leben der Anderen”
Mary Beth Stein
Stein, Mary Beth. “Stasi with a human face? Ambiguity in 'Das Leben der Anderen'.” German Studies Review 31.3 (2008): 567–579. Print.
2008
Publication cover art thumbnail
Le vite degli altri. Letteratura, cinema e memoria della Repubblica democratica tedesca
Magda Martini
Martini, Magda. “Le vite degli altri. Letteratura, cinema e memoria della Repubblica democratica tedesca.” Contemporanea. Rivista di storia dell'800 e del '900 11.1 (2008): 147-154. Print.
2008
Publication cover art thumbnail
Publication cover art
Florian Henckel von Donnersmarck
Wolfram Eilenberger
Eilenberger, Wolfram. “Florian Henckel von Donnersmarck.” Von Bücherlust und Leseglück: Kluge Köpfe und ihre Bibliotheken. Eds. Jürgen Busche and Christine Eichel. München: Knesebeck, 2008. 56-63. Print.
2008
Publication cover art thumbnail
Publication cover art
Voyeuristic Pleasures and Complexity Theory: “The Lives of Others”
Joy Weisel-Barth
Weisel-Barth, Joye. “Voyeuristic Pleasures and Complexity Theory: 'The Lives of Others'.” International Journal of Psychoanalytic Self Psychology 3.1 (2008): 113-117. Print.
2008
Publication cover art thumbnail
Publication cover art
The Dreams of Others.
Slavoj Zizek
Zizek, Slavoj. “The Dreams of Others.” In These Times (June 2007): 47-48. Print.
2007
Publication cover art thumbnail
Publication cover art
Die Entwicklung des Genres Antiutopie. Aldous Huxley, Margaret Atwood, Scott McBain und der Film “Das Leben der Anderen”
Julia Hachtel
Hachtel, Julia. Die Entwicklung des Genres Antiutopie. Aldous Huxley, Margaret Atwood, Scott McBain und der Film “Das Leben der Anderen”. Marburg: Tectum Verlag, 2007. Print.
2007
Publication cover art thumbnail
Publication cover art
Eyes Without a Face
Anna Funder
Funder, Anna. “Eyes Without a Face.” Sight and Sound 17.5 (2007): 16-20. Print.
2007
Publication cover art thumbnail
Publication cover art
Florian Henckel von Donnersmarcks “Das Leben der anderen” (2006): Das Drehbuch als geschliffenes Drama und der preisgekrönte Film.
Volker Wehdeking
Wehdeking, Volker. “Florian Henckel von Donnersmarcks Das Leben der anderen (2006): Das Drehbuch als geschliffenes Drama und der preisgekrönte Film.” Generationenwechsel: Intermedialität in der deutschen Gegenwartsliteratur. Berlin: Erich Schmidt Verlag, 2007. 127-138. Print.
2007
Publication cover art thumbnail
Anthony Grenville
Grenville, Anthony. “A Good Man in East Germany.” AJR (Association of Jewish Refugees) Journal 7.9 (2007): 1-2. Print.
2007
Publication cover art thumbnail
William F. Buckley Jr.
Buckley Jr., William F. “Great Lives.” National Review Online. 23 May 2007: n.pag. Web. 11 April 2013.
2007
Publication cover art thumbnail
Publication cover art
Stéphane Defoy
Defoy, Stéphane. “Haute surveillance.” Ciné-Bulles: Le cinéma d ’auteur avant tout 25.2 (2007): 6-7. Print.
2007
Publication cover art thumbnail
Heimat, “Ostalgie” and the Stasi: The GDR in German Cinema, 1999–2006
Gareth Dale
Dale, Gareth. “Heimat, 'Ostalgie' and the Stasi: The GDR in German Cinema, 1999–2006.” Debatte 15.2 (2007): 155-175. Print.
2007
Publication cover art thumbnail
Publication cover art
La Inteligencia Representada: El Buen Pastory y La Vida de Los Otros
Rubén Arcos
Arcos, Rubén. “La inteligencia representada: El buen pastor y la vida de los otros.” Inteligencia y seguridad: revista de análisis y prospectiva 2 (2007): 147-152. Print.
2007
Publication cover art thumbnail
Publication cover art
Das Leben der Anderen.
Marianne Steen Larsen and Ruth Eidseth Rebernik
Steen Larsen, Marianne, and Ruth Eidseth Rebernik, eds. Das Leben der Anderen. Greve: Tyskforlaget, 2007. Print.
2007
Publication cover art thumbnail
Publication cover art
Alexander Osang
Osang, Alexander. “Das Leben neben dem anderen.” Spiegel 10 (2007): 178-184. Print.
2007
Publication cover art thumbnail
Publication cover art
Das Leben und die anderen: Eine Polemik.
Annette Simon
Simon, Annette. “Das Leben und die anderen: Eine Polemik.” Forum der Psychoanalyse 23.2 (2007): 174-180. Print.
2007
Publication cover art thumbnail
Das Sehen der Anderen: Rückschau auf einen deutschen Erfolgsfilm
Oksana Bulgakowa
Bulgakowa, Oksana. “Das Sehen der Anderen: Rückschau auf einen deutschen Erfolgsfilm.” In: Film Dienst 60:11 (2007): 14-16. Print.
2007
Publication cover art thumbnail
Publication cover art
Ein Oscar für die “Stasi”
Justus von Denkmann
Justus von Denkmann. Ein Oscar für die “Stasi”. Berlin: Spotless, 2007. Print.
2007
Publication cover art thumbnail
Publication cover art
The Lives of Others
Matthew H. Bernstein
Bernstein, Matthew H. “The Lives of Others.” Film Quarterly 61.1 (2007): 30-36. Print.
2007
Publication cover art thumbnail
Publication cover art
Loyal Suspects
Adam Mars-Jones
Mars-Jones, Adam. “Loyal Suspects.” The Times Literary Supplement. 4 May 2007: 18. Print.
2007
Publication cover art thumbnail
La recuperacion del deseo
Juan Orellana
Orellana, Juan. “La recuperacion del deseo.” Como en un espejo: Drama humano y sentido religioso en el cine contemporáneo. Madrid: Encuentro, 2007. 101-112. Print.
2007
Publication cover art thumbnail
Publication cover art
La surveillance et la rédemption
Bujor Nedelcovici
Nedelcovici, Bujor. “La surveillance et la rédemption.” Esprit 5 (2007): 167-170. Print.
2007
Publication cover art thumbnail
Publication cover art
La vida de nosotros
Almudena Grandes
Grandes, Almudena. “La vida de nosotros.” Cuadernos Hispanoamericanos 682 (2007): 9-14. Print.
2007
Publication cover art thumbnail
Publication cover art
La vida de los otros: una conversacion entre Joan Tafalla y Francisco Fernandez Buey.
Joan Tafalla and Francisco Fernandez Buey
Tafalla, Joan and Francisco Fernandez Buey. “La vida de los otros: una conversacion entre Joan Tafalla y Francisco Fernandez Buey.” El Viejo Topo 232 (May 2007): 67-71. Print.
2007
Publication cover art thumbnail
María Eugenia Albornoz Vásquez
Albornoz Vásquez, María Eugenia. “La vie des autres (Das leben der anderen).” Nuevo Mundo Mundos Nuevos, Imágenes en movimiento.15 Mar. 2007: n.pag. Web.10 April 2013.
2007
Publication cover art thumbnail
Publication cover art
New Look at One's Own History. Von Donnersmarck's “The Lives of Others” in Light of Socio-historical Considerations
Ewa Fiuk
Fiuk, Ewa. “New Look at One's Own History. Von Donnersmarck's 'The Lives of Others' in Light of Socio-historical Considerations.” Kwartalnik Filmowy (Film Quarterly) 57-58 (2007): 195-208. Print.
2007
Publication cover art thumbnail
Publication cover art
Guillermo Jaim Etcheverry
Jaim Etcheverry, Guillermo. “Redención.” Revista de Antiguos Alumnos del IEEM 10.4 (2007): 16-17. Print.
2007
Publication cover art thumbnail
Alvaro Vargas Llosa
Vargas Llosa, Alvaro. “Silent Heroes.” The Independent Institute. 21 March 2007: n.pag. Print.
2007
Publication cover art thumbnail
Publication cover art
Timothy Garton Ash
Garton Ash, Timothy. “The Stasi on Our Minds.” The New York Review of Books. 31 May 2007: n.pag. Print.
2007
Publication cover art thumbnail
Publication cover art
Under Surveillance
Rachael K. Bosley
Bosley, Rachael K. “Under Surveillance.” American Cinematographer 88.3 (March 2007): 16. Print.
2007
Publication cover art thumbnail
Publication cover art
Walled In
Steve Vineberg
Vineberg, Steve. “Walled In.” Christian Century 124.7 (2007): n.pag. Print.
2007
Publication cover art thumbnail
Publication cover art
Helden der Geschichte - Armin Petras inszeniert zweimal Christoph Hein, die Stasi als Melodram zeigt Florian Henckel von Donnersmarck in “Das Leben der Anderen”
Franz Wille
Wille Franz. “Helden der Geschichte. Armin Petras inszeniert zweimal Christoph Hein, die Stasi als Melodram zeigt Florian Henckel von Donnersmarck in 'Das Leben der Anderen'.” Theater heute 5 (2006): 18. Print.
2006
Publication cover art thumbnail
Publication cover art
Nicolas Beaupré
Beaupré, Nicolas. “L'enfer des autres.” Vingtième Siècle. Revue d'histoire 91 (2006): 163-164. Print.
2006
Publication cover art thumbnail
Publication cover art
Marianne Falck
Falck, Marianne. Das Leben der Anderen. Bonn: Bundeszentrale für politische Bildung, 2006. Print.
2006
Publication cover art thumbnail
Publication cover art
Bénédicte Toucheboeuf
Toucheboeuf, Bénédicte. “Images et sons.” Vingtième Siècle. Revue d'histoire 91 (2006): 158-168. Print.
2006
Publication cover art thumbnail
Joachim Gauck
Gauck, Joachim. “Ja, so war es!” Stern 12 (2006):n.pag. Print.
2006
Publication cover art thumbnail
Publication cover art
Das Leben der Anderen. Rekonstruktion eines medialen Erfolgsmodells.
Claus Löser
Löser, Claus. “Das Leben der Anderen. Rekonstruktion eines medialen Erfolgsmodells.” Horch und Guck 3.55 (2006): 63. Print.
2006
Publication cover art thumbnail
Publication cover art
The Lives of Others/Das Leben der Anderen
James Bell
Bell, James. “The Lives of Others/Das Leben der Anderen.” Sight & Sound 16.12 (2006): 29. Print.
2006
Publication cover art thumbnail
Publication cover art
Lars-Olav Beier, Malte Herwig, Matthias Matussek
Beier, Lars-Olav, Malte Herwig and Matthias Matussek. “Poesie und Paranoia.” Der Spiegel 12 (2006): 172-176. Print.
2006
Publication cover art thumbnail
Publication cover art
Zeitgeschichte am Schneidetisch. Zur Historisierung der DDR in deutschen Spielfilmen.
Thomas Lindenberger
Lindenberger, Thomas. “Zeitgeschichte am Schneidetisch. Zur Historisierung der DDR in deutschen Spielfilmen”. Visual History. Ein Studienbuch. Ed. Gerhard Paul. Göttingen: Vandenhoeck & Ruprecht, 2006. 353-372. Print.
2006

Causes

TouchingTweets

A selection of tweets. For more tweets about Florian's work, click here.